«A rough rule of narrative politics is that the candidate whose life story makes the best Hollywood movie will win the race. Which is why Schwarzenegger represents the greatest triumph of the theory to date. In the past, narrative politics has had to be combined with retail politics: Clinton, like Reagan before him, had spent years shaking hands and practising legislation.
[...] The advantage of narrative politics is that weaknesses are reclassified as strengths. A politician who knows nothing about politics? What a premise. A leader who can barely speak an American sentence aloud? Such a gripping yarn. A candidate whose answer to the bankruptcy of California is to propose tax cuts? We sure want to stay and see how this turns out.
[...] The paradox of narrative politics is that it is the very improbability of the campaign that gives it plausibility. In voting booths now - as always in cinemas - audiences will sacrifice coherence for surprise. This is democracy played by the rules of a Hollywood script conference and so, in this context, the coming of the machine governor ceases to be a surprise.»
--"Some mistake?": He has no political experience, no policies and a cupboard full of skeletons. So what does the rise of the Terminator tell us about the state of American politics? And should we be worried?